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"Baker also tackles some of the broader issues of feminine beauty.  There is an effective satiric montage of fake hair care advertisements which brings to light how it's not "just hair" for women.  And Baker makes the painful admission that a 'beautiful outside is the key to a beautiful inside'...she brings us to a journey's end that feels earned..."
-Nancy Kim

MY LIFE AS A BALD SOPRANO
A Musical Play In Three Acts...

       LIMITED OFF-BROADWAY ENGAGEMENT  

   JUNE HAVOC THEATRE
312 W. 36th Street,  NYC
        (JULY 20th-30th, 2008)

"My Life as a Bald Soprano...is...insightful in capturing Baker's personal experiences of having Alopecia, ..."
-NYTheatre.Com  

 "...this play is one of the most powerful things I've seen and will rip your heart out.  If you have a child or if you were a child that was 'different' than everyone else this play will not just speak to you, it will sing!"

-Jeff Woytovich (Chidren's Alopecia Project)

     

Directed By Andrew T. Carter 
Musical Direction By Clint J. Borzoni
Produced By Margaret H. Baker

                                        

Andrew T. Carter (Director) Originally from Canada, Andrew came to the USA in 1986 to continue his professional training as a modern dancer. He danced for throughout the East Coast and Canada, as well as producing his own choreography. He holds an undergraduate degree in dance from SUNY-Purchase,and an MFA in Theatre from Towson University. In 1991 he started combining theater and dance in various forms to create a moving theater. He soon established e/Motion Theatre to support his aesthetic which incorporates dance,theater, music and a variety of performer styles. His directing work has been seen in NYC, at The American Living Room @ HERE, the 42nd Street Collective,The Writers group (NYC), plus an acclaimed run at the Toronto Fringe Festival(Canada). Andrew has studied in Paris with Ariane Mnouchkine and the Théâtre du Soleil, and NYC-based artist Basil Twist on a project with Mabou Mines. He has taught workshops in the USA, Canada and South America, including at the Directors' Lab West symposium held in Pasadena (2007)

Margaret H. Baker (Producer, Playwright, Lyricist, Gretchen) began studying classical voice at the age of twelve in Washington DC.  She continued her studies throughout her teens later enrolling in DePaul University’s School of Music.  The following summer, Margaret made her professional stage debut in The Berkshire Opera Company’s production, of La Cenerentola.  In 1998, Margaret relocated to New York where she worked as an Artist/Photography model to support her acting.  Her latest project My Life as a Bald Soprano is her first full-length musical and most personal, as she returns to the stage playing herself as a young girl battling an auto-immune hairloss condition. Margaret would like to thank her friends, family, and collegues for supporting and believing in this work! (It means a great deal to be able to do what you love and impact people's lives in the process.) 
Clint Borzoni (Composer/Musical Director) started studying music when he was sevenand wrote his first piece at the age of eleven. He has written over fortypieces, including a piano concerto, song cycle, percussion quartet, piece fororchestra, two string quartets, and several works for chamber orchestra. AmongBorzoni’s awards are the Morton Feldman Award, a New York Youth Symphonycommission, a world premiere by the Mannes School of Music's PercussionEnsemble, and the Maurice Liberman music scholarship. He received a B.A. andM.A. in Music Composition from CUNY where he studied with PulitzerPrize-winning composer David Del Tredici. He is currently working on an operascene for the American Opera Projects' Composers and the Voice Series. Clint isproud to have written the music for "My life as a Bald Soprano" andwould like to thank his mom and Gabe for their love and support.

Gina Bonati (Alopecia Areata) Recently seen in Aaron Lehmann’s House of Women at Anthology Film Archives and in Silver Bullet Trailer at the Ohio.   in1973 she made her professional acting debut in Robert Woodruff’s production of Brecht/Weill’s 3¢ Opera.  She was a little bitty whore. She has played on stages from The Metropolitan Opera House in New York City, Strindberg Intima Theatre in Stockholm, Instito de Belles Artes in Mexico City to garages and empty parking lots everywhere. Educated at Julliard in New York City, A.C.T. in sf and The National in London. Danced in companies,Kenneth King, Sally Silvers and Jane Comfort. Acted in theaters, The Magic,La Jolla, BAM, The Kitchen. Many Indie films and of course the requisite L&O.  Under the direction of all sorts of geniuses including Gus Makris, Lee Grant, Doug Lenox, Jackson Gay, Nic Phillippou and Eliz Kemp. Sang in 2 art-rock bands, a couple of operas and various lounge acts and recordings. She studies voice for singing with Kristen Sorteberg and w/Patsy Rodenberg for acting.   She is a poet & playwright with her play cantaloupe  in debut at Fort Point Theatre Channel in Boston directed by Ronit Muszkatblit starring Richarda Abrams. She teaches acting privately at her kitchen table for very little money.   Member of AEA, SAG, AFTRA and The Actors Studio.

Sabina Maschi (Fanny/Ensemble) first performed on camera playing “Professor Wofengakken” for Nickelodeon UK’s weekly live comedy sketch show “Under The Microscope”.  She then moved to Hong Kong to work at Asia’s Newscorps headquarters STAR TV. She entertained viewers all over  Asia as a day player for the music’s channel’s spoof series Top5@5. It became the highest rated teen show  in Asia.  In order to take her acting beyond the sketch comedy realm, Sabina moved to New York where she studied acting at the Ted Bardy Studio.  Sabina has become a mainstay of the New York independent film community, landing starring roles in indie films such as “Special Needs”, Origami Deathmatch” “Scrabble Rousers” and “Sunglasses at Midnight”.  She has also starred in numerous acclaimed stage productions of such original works as “Sex on Trial” where she played  horny British bootlegger Duke Madden and of course “My Life As A Bald Soprano”! She recently played the lead “Carly” in Alan Ball’s ( Academy and Emmy Award Winner – “American Beauty”, “Six Feed Under”)  play, “Made For A Woman”. 

Kyle Minshew (Mirror) is excited to be a part of this amazing project! Previous credits include Off-Broadway: 8 Ways to meet Your Neighbor, The Poet's Opera, Callous Kingdom, Come Away, Pirates of Penzance, The Most Happy Fella and Kouros. Off-Off Broadway: Comedy Of Errors, Enough For All, Road to Freedom, The Brick and The Rose, The Three Sillies, Cinderella's Mice, Bippity Boppity Boo, Redemption, Exodus, That is The Question, Miss Nelson Is Missing, Miss Nelson has A Field Day, Axis and Bob on the Boardwalk. National Tours: A Christmas Carol, The Magic Flute and Die Fledermaus. Regional: That is the Question, Seven Deadly Sins,Age of Discovery, The Annunciation, Brooklyn, It's Only A Play, Complete Works of Shakespeare (Abridged) and Bye Bye Birdie. Film/TV: Guiding Light, All My Children, Sex and The City, Law & Order and Dawson’s Creek.

Okema T. Moore (Ensemble) How do you successfully combine talent, intelligence, soul, joy, pain, music and theater?  Just ask up and comer, Okema.  She has been familiar with both the television studio as well as the recording studio since the age of 7.  She has worked with such production legends as Eli Tubo of Erick B. & Rakim fame and Carvin Haggins (Touch of jazz, Jill Scott, and Musiq).  Okema participated in many industry events in her late teens, including Jack the Rapper and How Can I Be Down.  She toured with the Black Expo for two years and in recent years filmed two television pilots and played the lead role in the Brooklyn black stage play, “Why Black Men Date White Women.”  She has had the privilege to perform with the likes of Musiq Soul Child, SWV and Joe.  Most recent was her role as "Lovell Robinson" in a run of the TONY award winning stage play, DREAMGIRLS; directed by TONY award winner Ben Harney of the original cast, at the historic Lamb's Theater on Broadway.  Okema has also completed her first movie; a supporting role in the hip-hop film Ex$pendable starring Terrell Hicks, comedian Michael Blacks on and Gary Sturgis.  Most recently Okema played the lead role of Hadassah in the Gospel off-Broadway play Who Do You Love, taking over the lead from Mary Mary’s Ericka Campbell. She has completed another Gospel off-Broadway at the Roy Arias theater entitled Who is A Virtuous Woman; a play in the styling of For Colored Girls.

Jane Pejtersen (Ensemble) Actress and singer, has studied at The Holberg School for Film and Acting” in Copenhagen,Denmark and at The Lee Strasberg Theater and Film Institute in NYC where she later was invited to teach at their Young Actors Program.  Important NYC credits include: Being part Danish landed her the role of Lab researcher,Denise in  “Law & Order”. She was an extra in ”Salome” and Cyrano at The Metropolitan Opera. She has performed a live simultaneous translation of Lars Norén’s play “Details” for the Royal Danish Theatre at the New York Theater Workshop.  Jane is a member of the NYC classical theater company Handcart Ensemble where she among others has played the lead role of Antigone in The Burial At Thebes and The Maid in Alcestis. She was recently seen in a shorter version of My Life as a Bald Soprano at the Left Out Festival in NYC and is happy to be back together with a full cast.



Laura Catignani (Asst. Costume Designer/Dresser) started her career as a Costume Designer both performing and designing costumes for a fire circus in Seattle.  Her theater experiences include designing costumes, assisting designers, supervising wardrobe, styling wigs, hair and make up and constructing costumes. While in Seattle she designed costumes for Postcard Plays atWashington Ensemble Theatre and the ThroBoSho, a TV pilot project.  She also worked on Restoration Comedy and Radio Golf at Seattle Repertory Theatre, House of Mirth at Book-It Repertory Theatre, Seattle Opera's production of MacBeth, Brundibar at Benaroya Hall and Tartuffe at Seattle University.    After relocating to New York she began working on King Lear and Passing Strange at The Public Theatre, Tricorne Costume Shop where she worked onTarzan, Mamma Mia and Hairspray.  She also contributed to the Magis Theatre Company's production of The Great Divorce,numerous productions at The Juilliard School, Celia at New World Stages and Up In The Air at the Kennedy Center in DC.  Her film credits include Guy Maddin's film Brand Upon The Brain.  

Trine Friberg (Set Designer) started acting at age 8 and began teaching drama and choreography at age 15. She has her training in acting from various courses and schools in Denmark in mainly Stanislavsky technique, and has starred in shows like "Personals" (from creators of the sit com"Friends") at Gladsaxe Theater. She has worked as an assistant director at award winning productions at Theater Grob. She has studied at The Royal Academy of Fine Arts School of Architecture in Copenhagen, Denmark.Alongside she helps dramatist Line Knutzon (who´s been played in NYC as well)writing her new play for the Danish Royal Theatre opening in September 2008. In the fall of 2008, she starts assisting set designer Marie I Dali.

Kristina Mandrup Petersen (Asst. Set Designer) originallyfrom Jutland, Denmark, is currently living in Copenhagen and studying to become a teacher.  When she’s notstudying, she’s wearing her tool belt and hearty “handy woman” brain assistingTrine with set design projects.   

Duane Pagano (Lighting/Sound Design) most recently designed the lighting for the WorkShopTheater Company's A Crazy Little Thing Called Love, a performance offive short plays about love lost, found, risked and rewarded. Other New York credits include: Bubby’s’ Shadow (White Rabbit Theatre and Mo Pula Productions) which is also in this years MITF; thelighting and scenic design for Romeo and Juliet (TheatreRats); French Kisses II (Workshop Theater Company);Addictedto Christmas (Greg Miller Productions); and Uncle Tom, Uncle Ben, Uncle Sam and the Rest of the Family (Asteroidb612 Theatre).  Chicago credits include: Fahrenheit 451 with Ray Bradbury (BailiwickTheatre).  Duane holds multiple degrees including a BS in Film Production and a BA in Theatre Design from University of Miami, Florida, and an MFA in Lighting Design from University of Missouri, Kansas City.  He is also a founding member of the theatre group greasy joan & co. in Chicago.



My Life as a Bald Soprano is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions in behalf of My Life as a Bald Soprano may be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

(CLICK ON THE LOGO ABOVE TO MAKE A TAX DEDUCTIBLE DONATION TO MY LIFE AS A BALD SOPRANO.)